12th - 22nd June, 2013 (Summer Tour)


Lu Lanfranchi


Alan Bennett


James Linham

Alan Bennett, Author of Habeas Corpus
 Alan Bennett

Habeas Corpus was written in 1973, it is a comedy set in Brighton in the 1960s where the lust and longing of the permissive society has well and truly taken hold of the apparently respectable Wicksteed family.



Street Theatre's Production of Habeas Corpus

Like some saucy Magill seaside postcard as retouched by Magritte, or an end-of-the-pier romp reorganised by Orton, the piece shows how a collection of stock types from Hove find themselves propelled into the permissive society with the arrival of a false-breast fitter from Leatherhead.

Street Theatre's Production of Habeas Corpus Connie receives her garment

Alan Bennett (born 9 May 1934) is an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years.


His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing full-time, his first stage play Forty Years On being produced in 1968.


His work includes The Madness of George III and its film adaptation, the series of monologues Talking Heads, the play and subsequent film The History Boys, and popular audio books, including his readings of Alice's Adventures in Wonderland and Winnie-the-Pooh.

Street Theatre's Production of Habeas Corpus

The aging Dr. Arthur Wicksteed pursues his nubile patient, Felicity Rumpers. Wicksteed's wife Muriel lusts after the charming head of the BMA, Sir Percy Shorter. Shorter as well as being Wicksteed's old rival, turns out to be Felicity's father - the result of an under-the-table liaison during an air-raid with Lady Rumpers, her mother. Meanwhile, Wicksteed's spinster-sister Connie, ashamed of her flat-chestedness, has schemes of her own.


Street Theatre's Production of Habeas Corpus Muriel Wickstted being fitted by Mr Shanks

Identities are mistaken, the wrong knockers admiringly fondled, and libidos burst out of enforced hibernation.